Physical Dialogue

PHYSICAL DIALOGUE

Contact Improvisation

every movement is a word and every interaction a conversation.

With more than two decades of experience in teaching and practicing improvised dance, Ramon Roig invites you to join a community at the intersection of art, physical dialogue and expressive freedom. From the dance hall to the Barceloneta Civic Center, passing through international workshops and multidisciplinary projects, Ramon Roig guides you on a journey through space and time where the limits of the body are only the beginning. Venture into this kinetic odyssey and discover how movement can be both a form of art and a way of communication.

Contact Improvisation

Every gesture is a word and every interaction a dialogue.

IC is nothing more than a way of physically communicating with another dancing body without using any premeditation.

By keeping our perception open, the information we receive from the environment will organize our sensitive body. 

I don't need to look, just see and let our instinct guide our actions in an effective and accurate way.

And find a calmness in the breath to flow in the current of time filling us with energy and waiting.

Transforming my desires into intentions and the unpredictable into a constant discovery.

Everything that is not necessary is dispensable in physical dialogue, fluidity and elegance respond to everything that is effective and simple at the same time.

To be in tune with the whole, to be part of and to meet nature, until disappearing in it.

CI Physical Dialogue

TRAINING, INTENSIVE WORKSHOPS and REGULAR CLASSES

Contact Improvisation expresses its most fundamental essence through the link. Discovering the meaning of this bond and its multiple layers brings us a useful and lasting integration in the environment. Crossing the physical-temporal space in connection to share the experience with the other.

PARTICIPATE

Works

Here you will find a diverse collection spanning several decades of relentless creativity, from theatrical performances to interactive art installations.

Each work represents a chapter in a career full of experimentation and discovery. This space serves not only as an archive of his achievements, but also as a window into the evolution of his artistic practice.

Fragments of actions

EGOS ESCÈNIC

Tactil

different ways ...

Could you do it forever...?

UNCERTAIN PLACES

CASA

Creating Contact Improvisation

This space is dedicated to explore the various facets of Ramón Roig's contribution to the world of Contact Improvisation. Ramón's creative journey in this field unfolds in multiple dimensions, although almost always hand in hand with SIAMB, an association that has been the vehicle of his artistic career.

The Jam: Ramon Roig

The Jam

The Jam of SIAMB/ CENTRE CÍVIC BARCELONETA

The Thursday Jam at the Centre Cívic Barceloneta is the oldest JAM in Spain, with more than 23 years of continuous existence. From the year 2024 the Jam will change to Saturdays due to the needs of the Civic Center. The new schedule is from 17:30 to 20:30.

The Jam: Ramon Roig

E.C.I.B.

Contact Improvisation Meeting Barcelona

ECIB is composed of three annual events: Spring Meeting (Easter), Summer Meeting (July) and ECIB (September/October). Since 2002 these meetings have been created with the arrival of international masters who bring a broad vision of the origins and form of the IC.

Masters such as Martin Keogh, Frey Faust, Ray Chung, Karl Frost, Scott Wells, Daniel Lepkoff, Benno Voorham, Jules Beckman, Adrian Russi, Mirva Mäkinen, Jess Curtis, Andrew Harwood, Cris Aiken, Charlie Morrissey, Nita Little, Katie Duck or Simonetta Alessandri among others.

societat investigació art del moviment barcelona

S.I.A.M.B. functions as a platform for the organization of CI meetings and festivals, improvisation sessions, laboratories, Jams and other activities related to the art of movement and improvisation.

PerfoJam: Ramon Roig

PerfoJam

Interactive dance

The Perfo Jam is an interactive dance session where the public is summoned to dance (JAM) and it is in that same space where those summoned dance as in a Jam, where small actions of no more than 3-4 minutes happen, appearing randomly in places marked by the light, disappearing shortly after without a trace and where the public-dancer, takes up his own dance.

With this we achieve that the actions connect with the observers in a more casual and empathetic way, without the need to receive applause of valuation, and will remain in the retina of these as suggestions of depth and beauty.

This formula aims to blur the barrier between actor and observer.

Doma India & Contact-Improvisation

Experiential days of encounter with horses through movement based on the methodology of Indian Dressage and the technique of Contact Improvisation.
Dancing with a horse or letting its gaze guide our movement. Accompanying each other, learning from each other... Our desires, our way of managing time, are highlighted in front of nature through the gaze of a horse.

Direction and coordination: Ramon Roig and Toni Arnal

Videos recorded by Ramon Roig

Capturing improvisation in images to organize the observer's gaze...

During improvisation, in full physical dialogue, the dancer's attention remains permanently on the point of union with the other dancer. 

If we want, from observation, to capture or perceive what happens in improvisation, we must take our gaze into the scene and dance with it.

Ramon Roig

Bio

Ramon Roig

Dedicated to dance since 1992, he works in several dance companies in Barcelona and is trained in classical and contemporary dance in different private schools in the city.

His knowledge of improvisation is expanded and consolidated with teachers such as Daniel Lepkoff, Ray Chung, Martin Keogh, Nita Little, Frey Faust or Andrew Harwood among many others.

Knowledge that has helped him to establish the basis of his own personal and pedagogical concepts.


As a dance teacher, he gave his first Contact-Improvisation classes in 2000.

Since then he has traveled sharing his point of view in many countries around the world.He currently teaches regular Workshops and Training in Barcelona and Training in Valencia.


As director of the SIAMB collective since 1999, he organizes and participates in events related to Dance, Improvisation, Video-art and Performance.

testimonials

Student ratings

Elia Lucas@ elia.lucas.music
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It has given me tools and this week in the jams I have noticed it a lot... a change!!!! Above all: clarity and roles. I have dared to lift weights for the first time too and I have flowed a lot with the new resources in this sense, without looking for it, it has happened. Now I can play a lot more! This motivates me a lot to keep learning. Also the solos/looks/silences parts inspired me. Ramon transmitted the knowledge in a clear way. He was looking for practice and avoiding over-thinking. I recommend to people with contact level who don't know Ramon. Also to people who are just starting out, since he allows this space.
Sebas Cabral@sebascabral.soundme
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I loved the workshop. I found it very complete. For me contact is a way to expand the possibilities of the body and become more aware of the link with others. I had never taken classes with Ramón before and it was wonderful. I loved the dynamics that were proposed during the workshop. It was a journey between consciousness, lightness, poetry, grounding and super nourishing reflections. I also felt a lot of care and attention towards the participants.
Eliana Solòrzano@eliana.solorzano
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In addition to the physical body, he moved the subtle body, emotion and sensibility in great quantity. At times it was like a constant vertigo that nevertheless was sustained by the tools that I was assimilating or putting into practice. This vertigo was still something kind, nothing that clouded my lucidity or took me out of my center, on the contrary, it threw me into a continuous void from where I was learning new things... all the time I felt clarity, security and punctuality in the information. The music underlined the intention of each moment and the imaginary was triggered by the metaphors used to explain some things.
Carlos
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It has moved my confidence, my self-esteem, my ability to express myself with my body, my bodily ability to do things I thought I could not, my feeling with other bodies, my passion for dance and beauty, my reaffirmation that the body and dance is the way to health, to calm, to peace with myself, to connect with people and see their beauty. I am very grateful to have a great master of contact, of the body, dance and life itself, who knows how to transmit, who takes care of you, who is passionate about what he does, and transmits to you his respect, his look so that I believe it and see it possible.
Maria
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It has moved me to listen more to myself, to my movement through breathing, to listen to the different parts of my body and observe how my whole body reorganizes itself based on that movement, to work on my fears and my ability to perform in suspensions, to gradually overcome my aversion to being observed by others, to learn to take more initiative in physical dialogues, to learn to manage my spaces with others....in general to continue on the path of a more perceptive and precise listening to myself and to the other in order to generate an honest dialogue.

Contact